Showing Records: 1 - 20 of 675
13 1/2” x 19 1/2” framed poster from the Brazilian production of Fool for Love, Louco de Amor,in Portuguese (black and white photo of woman holding man’s leg)
Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.
16th Independent Feature Film Market, September 1994
20 1/2” x 28” framed poster for the Turkish production of True West, Vahsi Bati (white background with brown hat and red tie)
Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.
24 1/2” x 34” framed poster for True West, L’ouest, Le vraipresented by Theatre National, in French (black background with white, red and blue lettering)
Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.
28” x 39” framed poster for True Westproduction presented by the Nouvelle Compagnie Theatrale, in French (black background with white lettering)
Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.
A Lie of the Mind (1985)
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
A Rage of Unknown Origin, undated
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The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Advertisement in Variety magazine, undated
Advertisements, undated
Advertising sample (5.5 x 8.5 color card)
“Agreement with Concha Rivera”
Al Franklin, Stage Manager script, December 1982
"Alamo – The Price of Freedom"
"Alamo…The Price of Freedom" – shooting script, plus media, August 23, 1987
American Place Theater annotated re-write, February 13, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
American Place Theater annotated re-write, February 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
American Place Theater re-write, heavily annotated cover page, February 13, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
American Place Theater re-write with music percussion notes, February 13, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
…And the Earth Did Not Swallow Him…, 1995
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